The convergence of fiction and reality in the lead-up to the upcoming papal conclave has drawn widespread attention, as Conclave, the 2024 thriller directed by Edward Berger, blurs the line between cinematic drama and ecclesiastical procedure. Originally released to critical acclaim for its tense atmosphere and painstaking attention to detail, the film has unexpectedly become a de facto training manual for the 133 cardinals set to gather in the Sistine Chapel starting May 7, 2025 — a historic moment not only for the Catholic Church but for global religious leadership.
At the heart of the film’s influence is Ralph Fiennes’ compelling performance as Cardinal Joseph Patek, the Dean of the College of Cardinals — a role that mirrors the real-life responsibilities of the Church’s most senior figures during a conclave. The film meticulously reconstructs the hallowed, secretive process: the sealed Sistine Chapel, the smoke signals from the chimney, the voting rituals, the political maneuvering, and the profound spiritual weight carried by each elector.
Now, in a striking example of art reflecting life, sources within the Vatican confirm that several cardinals, many of whom were elevated to the College of Cardinals by Pope Francis and have no prior experience in a conclave, have privately screened Conclave in theatrical settings — a move unprecedented in the Church’s history. One high-ranking Vatican official told Politico that the film’s depiction of the cardinals’ isolation, the psychological pressure of secrecy, and the delicate balance of power and prayer “resonates with the lived reality” of the conclave process.
What makes this phenomenon particularly remarkable is that the film was not only a dramatization but the result of years of research by Berger and his team, including consultations with former Vatican officials, theological scholars, and even retired cardinals. The filmmakers were granted rare access to documentation and protocol, ensuring that even the smallest details — like the color of the ballots, the placement of the altar, or the rules surrounding the smoking signal — were historically accurate.
With Pope Francis having passed away in late April 2025, the conclave is now not just a theoretical possibility but a solemn, imminent event. For cardinals from remote regions — including bishops from sub-Saharan Africa, Southeast Asia, and Latin America — who have never witnessed the ritual firsthand, Conclave offers more than entertainment. It provides a cultural and procedural compass in a world where tradition is both sacred and fragile.
As one newly appointed cardinal from the Philippines remarked during a private gathering: "We’ve read the documents. We’ve studied the rules. But the film… it made us feel the silence, the weight, the fear of making a mistake. It made us understand what it means to stand before God in that moment."
Whether or not the film will shape the outcome of the conclave remains to be seen. But its impact on the process — and on how the Church prepares its spiritual leaders for one of humanity’s most hallowed rituals — is already undeniable. In a world where faith, power, and history collide, Conclave has become more than a movie. It is, for many, a mirror.